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Workshop

LaTeX Workshop with Robert Alessi

In collaboration with CRCEN, CRIHN welcomes Robert Alessi (IRHT-CNRS) for a workshop on LaTeX Thursday October 3rd 2024.
Calendar Days 2024-10-03
Our research fidlds
Champ de recherche

Medias

What is a medium? What are the relationships between media? Can the web be considered a medium? The Canada Research Chair is developing an intermedial approach for addressing these questions, all while challenging the traditional definitions of terms such as “media,” “mediation,” etc., in order to avoid adopting an essentialist perspective. One of the key concepts of this line of thought is that of “mediating conjunctures.”

Champ de recherche

Publishing

The web resembles a giant repository of published content. Indeed, everything on the web is published, from blog posts to restaurants on TripAdvisor and apartments on AirBNB. In light of this, it has become essential to reflect on publishing as a way of understanding the architecture of digital space. The Canada Research Chair is working on developing the concept of editorialization in order to better understand this “published” world.
Champ de recherche

Literature

Our culture is deeply affected by digital praxis: the way we perceive space, time, relationships between public and private spheres, our identity and our privacy are undergoing intense structural changes. The entirety of our lives, our worldviews and our values are being altered. Literature has also experienced this metamorphosis in terms of its boundaries, styles and structures, as well as with its cultural, social and political functions. Digital praxis has an impact on both hypermedia literary forms and print literature. The Canada Research Chair is less focused on digital literature itself, and more on literature in the digital era. This perspective involves understanding how our culture is being globally affected through the analysis of recent changes in every aspect of literature in the digital age (for example, the concepts of the author, the literary work, as well as the notions text and fiction).
Champ de recherche

Philosophy

If the advent of the digital, of new technologies and of new media has engendered a wide reflection in all areas of the humanities and social sciences, philosophical reflection seems to have lost some momentum, with some exceptions. The Canada Research Chair in Digital Textualities aims to mobilize the analytical tools, methodologies and concepts of philosophical thought in order to contribute to understandings of contemporary issues.
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      "content_html": "<h2>Team</h2>\n<ul>\n<li>Project leader: Marcello Vitali-Rosati</li>\n<li>Project coordinator: Antoine Fauchi&eacute;</li>\n<li>Team: Emmanuel Ch&acirc;teau-Dutier, Eug&eacute;nie Matthey-Jonais, Margot Mellet, Servanne Monjour, Nicolas Sauret, Michael E. Sinatra</li>\n<li>Project website: <a href=\"http://revue20.org/\">http://revue20.org/</a></li>\n<li>Project founded by <a href=\"http://www.sshrc-crsh.gc.ca/home-accueil-fra.aspx\">CRSH</a></li>\n</ul>\n<h3>External ressources</h3>\n<ul>\n<li><a href=\"http://revue20.org/publications/\">Publications and communications</a></li>\n<li>Project Wiki (<a href=\"mailto:nicolas.sauret@umontreal.ca\">access on request</a>)</li>\n</ul>\n<h2>About the project</h2>\n<p>This project aims to help researchers and practitioners of scholarly journals in the social sciences and humanities work through the digital transition by harnessing the full potential of new technologies.</p>\n<p>Indeed, if scholarly journals in the humanities have now (at least almost) completed the transition to digital technology (especially in terms of production and circulation), it is clear that they are still far from fully exploiting all the potential of the web. By collaborating with the principal actors of the scientific community (publishers, diffusers, aggregators), this development project aims to better respond to the emerging needs of researchers by rethinking the role of scholars in the digital age. Our goal is twofold. We aim to:</p>\n<p><strong>1) Produce an epistemological model for journals in the digital age.</strong></p>\n<p>Our research will look at the historical mission of scholarly journals, determine how we can respond to this (or these) objective(s), and assess how they have been or are being redefined in the digital age. The challenge relating to the notion of digital transition is not just a technical question: the generalization of free access, for example, is typically the sign of a reassessment of the role and mission of the publisher. By investing, little by little, in the web, the magazine changes the very meaning of the term &ldquo;publication,&rdquo; returning to its original meaning: public. How to integrate a journal, a file or even a single article into a digital ecosystem in constant evolution? What should be the editorial tasks today, no longer just considered prior to publication, but once the journal has been published online, in order to join the scholarly communities of the web?</p>\n<p><strong>2) Propose a new editorial model for scholarly journals in the humanities.</strong></p>\n<p>We will look at producing specifications for the various actors of scholarly publishing (publishers, broadcasters, aggregators). Our partners on this project&mdash;especially broadcasters and the Aggregator&mdash;have made significant efforts to ensure the integration, sustainability and visibility of journals on the web. This project will have to give them additional resources for the creation of tools and protocols better suited to the needs of researchers and publishers.</p>\n<p>Our project is the first to unite a number of French-language digital broadcasters, including the two largest <strong><a href=\"https://www.erudit.org/\">&Eacute;rudit</a> and <a href=\"https://www.openedition.org/\">OpenEdition</a></strong>, as well as the only aggregator of content in the human sciences, <strong> <a href=\"https://www.huma-num.fr/\">Huma-Num</a></strong>, with a group of scholarly journals ready to engage in experiments to improve their digital transition: <strong> <a href=\"http://revue-etudesfrancaises.umontreal.ca/\">French Studies</a></strong>, <strong><a href=\"http://intermedialites.com/\">Intermedialities</a> </strong>, <strong><a href=\"https://www.erudit.org/fr/revues/memoires/\">Book Memories</a></strong>, <strong> <a href=\"https: //journals.openedition.org/itineraries/\">Itineraries</a></strong>, <strong><a href=\"https://journals.openedition.org/cybergeo/\">Cyberg&eacute;o</a></strong>, <strong><a href=\"http://phlit.org/press/?page_id=2570\">International Review of photolitterature</a></strong>.</p>\n<p>This partnership is supported by a team of researchers who, with complementary skills, are at the cutting edge of scholarly digital publishing (including <a href=\"http://revue20.org/lequipe/\">five</a> Canada Research Chairs specializing in digital humanities).</p>\n<p>The project will mobilize skills that are both practical (especially in digital publishing) and theoretical (general epistemologies of the digital humanities, but also notions on the production, validation and dissemination of content). It is essential that our thinking converges with the practices of the publishing industry. This rapprochement will help to anchor theoretical reflection within the complex reality of editorial activities.</p>\n<p><img src=\"https://donnees.ecrituresnumeriques.ca/assets/25cffbd5-daba-4778-85fe-ef2a045fe6d9.jpg?width=4033&amp;height=486\" alt=\"Sshrc Fip Full Color Eng\"></p>",
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      "title": "The Directory of Digital Writings",
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      "description": "What is a literary work in a digital environment? The Canada Research Chair on Digital Textualities is interested in digital literary forms that do not fall within the definition provided by the Electronic Literature Organization (ELO). Our approach ",
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      "content_html": "<div class=\"infoArticle\">\r\n<h3>Project leader: <a href=\"http://ecrituresnumeriques.ca/en/Team/Marcello-Vitali-Rosati-\">Marcello Vitali-Rosati</a></h3>\r\n<h3>Project coordinator: <a href=\"https://ecrituresnumeriques.ca/fr/Equipe/Emmanuelle-Lescouet\">Emmanuelle Lescouet</a></h3>\r\n<h3>Team: <a href=\"https://ecrituresnumeriques.ca/fr/Equipe/Roch-Delannay\">Roch Delannay</a></h3>\r\n<h3>Project founded by <a href=\"https://www.innovation.ca/en\">CFI</a></h3>\r\n<h3>Project Website: <a href=\"https://repertoire.ecrituresnumeriques.ca/s/repertoire/page/accueil\">https://repertoire.ecrituresnumeriques.ca/s/repertoire/page/accueil</a></h3>\r\n<h3><a href=\"https://twitter.com/RepMurmure\">Compte Twitter du projet</a></h3>\r\n<h3><a href=\"https://www.twitch.tv/ecrituresnumeriques\">Corpus Twitch channel</a></h3>\r\n<h3>Project documentation</h3>\r\n<p>\r\n<ul>\r\n<li><a href=\"http://repertoire.ecrituresnumeriques.ca/s/repertoire-numerique/page/welcome\">Website</a></li>\r\n</ul>\r\n</p>\r\n<p>\r\n<ul>\r\n<li><a href=\"https://lab-yrinthe.ca/actualites/streamer-la-litterature-numerique-sur-twitch\">Project Page on LAB-yrinthe</a></li>\r\n</ul>\r\n</p>\r\n<h3>External resources</h3>\r\n<p>\r\n<ul>\r\n<li><a href=\"http://cellproject.net/\">CELL Project</a></li>\r\n</ul>\r\n</p>\r\n<p>\r\nThis project is part of an international collaboration that includes the partnership <a href=\"https://lqm.uqam.ca/\">Littérature Québécoise Mobile (LQM)</a>, led by Bertrand Gervais from Uqam, and the French consortium <a href=\"https://marge.univ-lyon3.fr/projet-lifranum\">LiFraNum</a>, led by Gilles Bonnet from University of Lyon 3 - Jean Moulin</p>.\r\n</div>\r\n<div class=\"resumeArticle\">\r\n<img src=\"https://f.hypotheses.org/wp-content/blogs.dir/2967/files/2016/02/bandeau-livre-num%C3%A9rique-672x372.png\">\r\n<h3 id=\"descriptionProjet\">Project description</h3>\r\n<p>Made possible by a grant from the Canada Foundation for Innovation (CFI), the Digital Writers Directory was developed within the Canada Research Chair on Digital Textualities and is the result of a research project conducted within the group for years, the <a href=\"http://writingactivities.ca/en/Activities/Projects/2016/4/7/Project-Profile\">Profile Project.</a>.\r\n\r\n<p>The Canada Research Chair on Digital Textualities is interested in digital literary forms that do not fall within the definition provided by the ELO. The members of this research project therefore adopt an approach based on the desire to make visible and accessible those works that would not otherwise fit into stable categories. This is because they are not, strictly speaking, hypermedia works, but can neither be considered traditional works.</p>\r\n\r\n<p>For directories devoted to hypermedia literature (like Québec-based <a href=\"http://nt2.uqam.ca/en/search/site/?f%5B0%5D=type%3Arepertoire&retain-filters=1\">NT2</a> directed by Bertrand Gervais at UQAM, or ELO’s CELL project), the concept of a work is not problematic because its limits are stable and defined. And yet, the Digital Writers Directory further problematizes our objects of study.</p>\r\n\r\n<p>\r\nWhat is a work in a digital environment? In the case of writing experiences online, the question is very complex. The spatial and temporal unity that seems required to be able to speak of a “work” of art—and thus to list the characteristics pertaining to it—is very rare in digital space. Let us take the example of a blog: should we consider it as a work in its totality or should we rather consider each page as a separate work? The question becomes even more complex in the case of site workshops like the <a href=\"http://www.tierslivre.net/\" target=\"_blank\"><em>Tiers Livre</em></a> or <a href=\"http://www.desordre.net/\" target=\"_blank\">desordre.net</a> by Philippe de Jonkere, or <a href=\"https://www.liminaire.fr/\" target=\"_blank\"><em>Liminaire</em></a> by Pierre Menard, or <em>Petite Racine</em> by Cécile Portier, or the website of Arnaud Maïsetti, to cite just a few examples. If we take the example of Arnaud Maïsetti, it appears that we could consider the entire site as a work (and therefore list all the entire content of the address <a href=\"http://arnaudmaisetti.net/\" target=\"_blank\">http://arnaudmaisetti.net/</a>), or take into account only one particular project (like its <em>Journal</em>), or take into account only one particular project (like its journal), or take into account each page (a journal entry, a text from the World Fictions project). Each choice has its limitations. Choosing a very fine granularity indeed allows us to describe relatively stable objects (a page can be changed, but it will be less than the whole site) and to consider them relatively homogeneous (regarding content, styles, form, theme, etc.). On the other hand, this description involves radical selection—because of the quantity of the pages—which is necessarily arbitrary. To take just one example, Arnaud Maïsetti’s website, called <em>Carnets</em>, has 2007 pages; <em>Liminaire</em> has about 2000; <em>Le Tiers Livre</em> has more than 4000 (even less if we rely on the automatic numbering of the CMS Spip that manages the site). It is obviously impossible to list all of these pages. Furthermore, a selection of about 100 pages (a figure which would represent approximately the number of works attributed to a relatively efficient author of the traditional book format) would be completely arbitrary. The choice of selecting projects is also very problematic. Although it would seem that this choice best fits a theoretical definition of a “work” of art, it is very difficult to identify and isolate projects from the rest of the site, as writers often alter, adapt and remodel the layout of their platforms.</p>\r\n\r\n<p>Finally, the least problematic choice is to list entire sites and consider the entire site-workshop as a work. One could speak of a \"mosaic archive work\". But, technically, this still poses problems: what is meant by \"site\"? All content managed by the same CMS? All content broadcast under the same domain name? The choice we made in our directory is more about reception than about production. So we decide to put in the background the way the content is managed on the production side and we try to differentiate the content from the user experience. Concretely we consider as a singular work all the content that is distributed inside a platform that displays the same menus, the same graphics (or at least a consistent graphics) and that allows in all pages to return to Home Page. If the use of a single CMS is clearly recognizable, the work ends up corresponding to the CMS, but this is not always verifiable. Projects that come out of this framework - even if we can find a link that points to them in another site - are considered as separate works. So, in the case of <em>Petite Racine</em>, we consider the whole site as a work (and so the headings <em>la tête que ça nous fait</em>, <em>dans le viseur</em>, <em>complément d’objets</em>, <em>à mains nues</em>, <em>singeries</em>, depending on the organization of the site in September 2017), but <em>Étant donnée</em> and <em>Traque traces</em> (whose link is however in the main site) are considered as separate works, because they are based on a completely separate environment and which has no connection with the petiteracine.net website.</p>\r\n\r\n<p>This choice makes it possible to identify workshop sites and to follow the work of a writer. On the other hand, considering these objects as works implies a profound change in our notion of \"work\": these objects are neither homogeneous nor stable. In the same site, we find news, poems, fragments, photos… and every day content, graphics, formatting… change, sometimes in a radical way.</p>\r\n<h3>Corpus Stream</h3>\r\n<p>The Corpus program's mission is to present and explore digital literary works through their live experimentation. The corpus is constituted by drawing from the works referenced on the CRCEN's Répertoire des écritures numériques. The produced exploration of the works is archived in order to keep traces of the potentially perishable digital data.</p>\r\n<p>Each session, hosted by Emmanuelle Lescouet, focuses on a specific work, for a varying duration according to the needs of each.</p>\r\n<p>These broadcasts, intended to be informal, attempt to open research to a non-academic audience, closer to the technophile and gaming communities. All of them are recorded and available afterwards on Nakala for archiving and consultation.</p>\r\n<h3>Work files on LAB-yrinthe</h3>\r\n<p>The <a href=\"https://lab-yrinthe.ca\">LAB-yrinthe</a> site, carried by the <a href=\"https://litmedmod.ca/membres-de-l-quipe\">Research Group on Multimodal Media Literacy</a> documents practices and works for a teaching audience.\r\nThe directory joins this process by participating in the discoverability of the works to their referencing and in the writing of the files for this site.</p>\r\n</div>",
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      "content_html": "The web resembles a giant repository of published content. Indeed, everything on the web is published, from blog posts to restaurants on TripAdvisor and apartments on AirBNB. In light of this, it has become essential to reflect on publishing as a way of understanding the architecture of digital space. The Canada Research Chair is working on developing the concept of editorialization in order to better understand this “published” world.",
      "feature_image": null,
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      "legacy_image": "http://i.imgur.com/fJoR1zZ.jpg"
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    {
      "slug": "literature",
      "id": 14,
      "research_fields_id": 7,
      "languages_code": "en",
      "title": "Literature",
      "content_html": "Our culture is deeply affected by digital praxis: the way we perceive space, time, relationships between public and private spheres, our identity and our privacy are undergoing intense structural changes. The entirety of our lives, our worldviews and our values are being altered. Literature has also experienced this metamorphosis in terms of its boundaries, styles and structures, as well as with its cultural, social and political functions. Digital praxis has an impact on both hypermedia literary forms and print literature. The Canada Research Chair is less focused on digital literature itself, and more on literature in the digital era. This perspective involves understanding how our culture is being globally affected through the analysis of recent changes in every aspect of literature in the digital age (for example, the concepts of the author, the literary work, as well as the notions text and fiction).",
      "feature_image": null,
      "description": "",
      "legacy_slug": "Literature",
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    {
      "slug": "philosophy",
      "id": 16,
      "research_fields_id": 8,
      "languages_code": "en",
      "title": "Philosophy",
      "content_html": "If the advent of the digital, of new technologies and of new media has engendered a wide reflection in all areas of the humanities and social sciences, philosophical reflection seems to have lost some momentum, with some exceptions. The Canada Research Chair in Digital Textualities aims to mobilize the analytical tools, methodologies and concepts of philosophical thought in order to contribute to understandings of contemporary issues.",
      "feature_image": null,
      "description": "",
      "legacy_slug": "Philosophy",
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  "latestEvents": [
    {
      "slug": "inauguration-chair-digital-publishing-rouen",
      "date_start": "2024-10-23",
      "date_end": null,
      "time_start": null,
      "time_end": null,
      "event_type": "colloquium",
      "id": 1572,
      "events_id": 786,
      "languages_code": "en",
      "title": "Inauguration Day of the Chair of Excellence in Digital Publishing @U de Rouen",
      "content_html": "<p>Marcello Vitali-Rosati is the holder of the \"Digital Publishing\" Chair of Excellence, which will be inaugurated at the Universit&eacute; de Rouen Normandie on Wednesday, October 23.</p>\n<p>The \"Digital Publishing\" Chair of Excellence at the University of Rouen, funded by the Normandy Region, aims to rethink the ways in which knowledge in the humanities and social sciences is produced and legitimized in the digital age. The Chair teams will work within the C&Eacute;R&Eacute;dI laboratory (Centre d'&eacute;tudes et de recherche &Eacute;diter/Interpr&eacute;ter - UR 3229), whose main research focus is on publishing and access to literary texts, and which has over twenty years' experience and achievements in the field of digital publishing. The main objective of this Chair is to develop the knowledge needed to create protocols, tools and infrastructures for scholarly publishing in the digital age. It also aims to make the Normandy region a pivotal player in an international research ecosystem in the field of digital humanities and in particular one of the protagonists in setting up expertise in scholarly digital publishing.</p>\n<h2>Program</h2>\n<ul>\n<li>1:30 pm &ndash;&nbsp;<strong>Michael Sinatra</strong>&nbsp;(Universit&eacute; de Montr&eacute;al) et&nbsp;<strong>Tony Gheeraert</strong> (Universit&eacute; de Rouen Normandie) : welcome address&nbsp;</li>\n<li>1:45 pm &ndash;&nbsp;<strong>Tony Gheeraert</strong> : &laquo; Une chaire &ldquo;&Eacute;ditions num&eacute;riques&rdquo; en Normandie : pourquoi et pour quoi faire ? &raquo;&nbsp;</li>\n<li>2:00 pm &ndash;&nbsp;<strong>H&eacute;l&egrave;ne H&ocirc;te</strong>&nbsp;(C&Eacute;R&Eacute;-dI),&nbsp;<strong>Ana&iuml;s Lebreton</strong>&nbsp;(PURH) et&nbsp;<strong>Ana&iuml;s Monchy</strong> (PURH)&nbsp;: &laquo;&nbsp;La collection &lsquo;Arion&rsquo; aux PURH&nbsp;: l&rsquo;&eacute;dition savante autrement&nbsp;&raquo;</li>\n<li>2:15 pm &ndash;&nbsp;<strong>Joann &Eacute;lart</strong> (Universit&eacute; de Rouen Normandie, GRHis/C&Eacute;R&Eacute;dI, consortium-HN Musica2)&nbsp;: &laquo;&nbsp;Le moteur de recherche de la musicologie num&eacute;rique&nbsp;: MusicaSearch&nbsp;&raquo;</li>\n<li>2:30 pm - <strong>Sandra Provini</strong> (Universit&eacute; de Rouen Normandie/Institut Universitaire de France)&nbsp;: &laquo;&nbsp;H&eacute;ro&iuml;des num&eacute;riques&nbsp;&raquo;</li>\n<li>2:45 pm &ndash; <strong>Sylvain Ledda</strong>&nbsp;(Universit&eacute; de Rouen Normandie)&nbsp;: &laquo;&nbsp;Site Musset&nbsp;&raquo;</li>\n<li>3:00 pm&nbsp; &ndash; <strong>Florence Naugrette</strong>&nbsp;(Universit&eacute; Paris-Sorbonne)&nbsp;: &laquo;&nbsp;Correspondance de Juliette Drouet&nbsp;&raquo;</li>\n<li>Break&nbsp;</li>\n<li>4:00 pm&nbsp;&ndash;&nbsp;<strong>Marcello Vitali-Rosati</strong>, Chairholder of \"Digital Publishing\" : Le&ccedil;on inaugurale &laquo; C&rsquo;est la mati&egrave;re qui pense : textes, &eacute;dition, formats et la production de l&rsquo;humain &raquo;</li>\n</ul>\n<p>This Event will take place at Maison de l&rsquo;Universit&eacute; and <a href=\"https://webtv.univ-rouen.fr/lives/en-direct-de-la-maison-de-luniversite/\">online.</a>&nbsp;</p>",
      "links": null,
      "feature_image": null,
      "description": "Marcello Vitali-Rosati is the holder of the \"Digital Publishing\" Chair of Excellence, which will be inaugurated at the Université de Rouen Normandie on Wednesday, October 23.",
      "location": "Maison de l’Université, Université de Rouen Normandie (France)",
      "legacy_image": "https://donnees.ecrituresnumeriques.ca/assets/e53e65f3-eeb2-4336-97e2-430bbe815618?key=system-medium-cover&modified=2024-10-08T18:56:51.742Z",
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    },
    {
      "slug": "latex-workshop-robert-alessi",
      "date_start": "2024-10-03",
      "date_end": null,
      "time_start": "09:00:00",
      "time_end": "12:00:00",
      "event_type": "workshop",
      "id": 1570,
      "events_id": 785,
      "languages_code": "en",
      "title": "LaTeX Workshop with Robert Alessi",
      "content_html": "<p>In collaboration with the Canada Research Chair in Digital Textualities, The <a href=\"https://www.crihn.org/nouvelles/2024/09/17/atelier-latex/\" target=\"_blank\" rel=\"noopener\">CRIHN </a>welcomes Robert Alessi (IRHT-CNRS) for a workshop on LaTeX. The workshop will take place this Thursday October 3rd 2024, at room C-8132, 3150 Rue Jean Brillant, Universit&eacute; de Montr&eacute;al, from 9 to noon.&nbsp;</p>\n<p>LaTeX integrates features designed for the production of technical and scientific documentation. It is a standard for communicating and publishing scientific documents.</p>\n<p>This workshop is for users who already work with LaTeX.</p>",
      "links": null,
      "feature_image": null,
      "description": "In collaboration with CRCEN, CRIHN welcomes Robert Alessi (IRHT-CNRS) for a workshop on LaTeX Thursday October 3rd 2024.   ",
      "location": "Local CRIHN, salle C-8132, 3150 Rue Jean Brillant, Université de Montréal",
      "legacy_image": "https://donnees.ecrituresnumeriques.ca/assets/06330043-a55a-4f8f-b33c-c72828e72e79?key=system-medium-cover&modified=2024-10-01T15:06:41.721Z",
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    },
    {
      "slug": "eloge-du-bug-book-launch",
      "date_start": "2024-10-01",
      "date_end": null,
      "time_start": "18:00:00",
      "time_end": "19:30:00",
      "event_type": "book_launch",
      "id": 1562,
      "events_id": 781,
      "languages_code": "en",
      "title": "Book Launch: “Éloge du bug“ by Marcello Vitali-Rosati",
      "content_html": "<p>The Chair is delighted to announce Marcello Vitali-Rosati's book launch <a href=\"https://www.editionsladecouverte.fr/eloge_du_bug-9782355222238\"><em>&Eacute;loge du bug</em></a> (La D&eacute;couverte), which will happen at the Square Book Store in Outremont, Montr&eacute;al, Tuesday October 1st, 2024, at 6:00 PM.</p>\n<p>This is a CRIHN-organized event. See the <a title=\"View on crihn.openum.ca\" href=\"https://crihn.openum.ca/nouvelles/2024/09/03/lancement-du-livre-de-marcello-vitali-rosati-eloge-du-bug/\" target=\"_blank\" rel=\"noopener\">web page for more info</a>.</p>\n<p><img src=\"https://donnees.ecrituresnumeriques.ca/assets/6a2556b9-f0c0-4807-ab04-7fdf28e906f6?width=768&amp;height=1016\" alt=\"Poster Crihn Talks 2024 Eloge Du Bug 2024 10 01\"></p>",
      "links": [
        {
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      "description": "Marcello Vitali-Rosati's latest book \"Éloge du bug\" (La Découverte) at the Outremont Square Book Store Tuesday, October 1st, 2024, at 18:00.",
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      "legacy_slug": null,
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    {
      "slug": "conferences-perspectives-critical-editions",
      "date_start": "2024-09-30",
      "date_end": "2024-10-01",
      "time_start": "13:00:00",
      "time_end": "16:00:00",
      "event_type": "colloquium",
      "id": 1568,
      "events_id": 784,
      "languages_code": "en",
      "title": "GREN-CRIHN conferences : New perspectives on critical editions",
      "content_html": "<p>As part of a collaboration between GREN and CRIHN Axis 1 activities, Michael Sinatra is organizing a study day on the theme of &ldquo;New Perspectives on Critical Editions&rdquo; at the Universit&eacute; de Montr&eacute;al on September 30 and October 1, with eleven international participants. Marcello Vitali-Rosati will present \"Quelques consid&eacute;rations sur le processus de mod&eacute;lisation du texte: entre th&eacute;orie, forme et mati&egrave;re\".&nbsp;</p>\n<p>Our event will close with <a href=\"https://www.ecrituresnumeriques.ca/en/events/2024/09/02/eloge-du-bug-book-launch\" target=\"_blank\" rel=\"noopener\">the launch of Marcello Vitali-Rosati's &Eacute;loge du bug</a> at Librairie du Square.</p>\n<p>The conferences will be broadcast on zoom (with advance registration required for each day).&nbsp;</p>\n<p>For further information, <a href=\"https://www.crihn.org/nouvelles/2024/09/13/colloque-gren-crihn-nouvelles-perspectives-sur-les-editions-critiques/\" target=\"_blank\" rel=\"noopener\">click here</a>.</p>",
      "links": null,
      "feature_image": null,
      "description": "Don't miss the “New Perspectives on Critical Editions” conferences at the Université de Montréal on September 30 and October 1, with 11 international participants, including Marcello Vitali-Rosati.",
      "location": "Room C-2059, Carrefour des arts et des sciences, Université de Montréal and via zoom",
      "legacy_image": "https://donnees.ecrituresnumeriques.ca/assets/d64332fb-1342-4dee-b417-3f87e9267b10?key=system-medium-cover&modified=2024-09-27T18:19:46.007Z",
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    {
      "slug": "skhole-ep5-dyens-en",
      "date_start": "2024-09-23",
      "date_end": null,
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      "event_type": null,
      "id": 1566,
      "events_id": 783,
      "languages_code": "en",
      "title": "New episode of Skholè with Ollivier Dyens on the Building 21 research space at McGill University",
      "content_html": "<p>In this episode, Ollivier Dyens presents McGill University's Building 21 laboratory, an atypical inter- and trans-disciplinary research space that challenges the institutional compartmentalization of disciplines. Dedicated to processes rather than results, this space welcomes a dozen fellows and guests each year, who take risks with research topics that invite collective reflection and explore the porosity of fields of knowledge.&nbsp;</p>\n<p><span class=\"html-span xdj266r x11i5rnm xat24cr x1mh8g0r xexx8yu x4uap5 x18d9i69 xkhd6sd x1hl2dhg x16tdsg8 x1vvkbs\">Available on the podcast website : </span><span class=\"html-span xdj266r x11i5rnm xat24cr x1mh8g0r xexx8yu x4uap5 x18d9i69 xkhd6sd x1hl2dhg x16tdsg8 x1vvkbs\"><a class=\"x1i10hfl xjbqb8w x1ejq31n xd10rxx x1sy0etr x17r0tee x972fbf xcfux6l x1qhh985 xm0m39n x9f619 x1ypdohk xt0psk2 xe8uvvx xdj266r x11i5rnm xat24cr x1mh8g0r xexx8yu x4uap5 x18d9i69 xkhd6sd x16tdsg8 x1hl2dhg xggy1nq x1a2a7pz x1sur9pj xkrqix3 x1fey0fg x1s688f\" tabindex=\"0\" role=\"link\" href=\"https://skhole.ecrituresnumeriques.ca/episodes/ep5_dyens/?fbclid=IwZXh0bgNhZW0CMTAAAR20FQozve0K1kcBqmTgESvKUJqrpCEOh6yZwwCyKoaR6aRdlcQAfDaNWgA_aem_W-eBfEw5KUM3rqkIyxiw5w\" target=\"_blank\" rel=\"nofollow noopener noreferrer\">https://skhole.ecrituresnumeriques.ca/episodes/ep5_dyens/</a>&nbsp;</span></p>\n<p>Also available on various streaming platforms <span class=\"html-span xdj266r x11i5rnm xat24cr x1mh8g0r xexx8yu x4uap5 x18d9i69 xkhd6sd x1hl2dhg x16tdsg8 x1vvkbs\">(Spotify, Apple, Google...)</span></p>",
      "links": [
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          "url": "https://skhole.ecrituresnumeriques.ca/episodes/ep5_dyens/"
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      ],
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      "description": "In the fifth episode of Skholè, Arilys Jia and Yann Audin welcome Ollivier Dyens to present McGill University's Building 21 laboratory, an atypical inter- and trans-disciplinary research facility.",
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      "legacy_slug": null,
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}